Clube da Esquina

“mineiridade”, romanticism and cultural resistance in the 1960’s Brazil

Authors

  • Sheyla Castro Diniz State University of Campinas, Brazil

DOI:

https://doi.org/10.35699/2317-6377.2017.5165

Keywords:

Clube da Esquina, Mineiridade and music, romanticism, cultural resistance, military dictatorship in Brazil

Abstract

This paper discusses how part of Brazilian group Clube da Esquina’s musical production incorporated and redefined the mythical imaginary of mineiridade. This notion translates a romantic perspective, besides being a cultural resistance expression against a coercive and repressive modus operandi imposed, in Brazil, in the context of military dictatorship. The analyses focus on Clube da Esquina songs of the 1960’s, the first decade in which the mineiro group was formed.

Author Biography

  • Sheyla Castro Diniz, State University of Campinas, Brazil

    São Paulo

    Sheyla Castro Diniz: Doutora em Sociologia pela Unicamp (2017). Mestre em Sociologia pela Unicamp (2012). Graduada em Música (2009) e Ciências Sociais (2007) pela Universidade Federal de Uberlândia.

     

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Published

2018-04-24

Issue

No. 37 (2017): General Topics

Section

Articles in Portuguese/Spanish

License

Licença Creative Commons
Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

How to Cite

“Clube Da Esquina: ‘mineiridade’, Romanticism and Cultural Resistance in the 1960’s Brazil”. 2018. Per Musi, no. 37 (April). https://doi.org/10.35699/2317-6377.2017.5165.

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