This article is an analysis of the question of the daily life / space of the social life of the characters of the plays: Bertolt Brecht, The Power of the Future, Jorge Gomes, and Arena account Zumbi, of Gean Francesco Guarnieri, Augusto Boal and Edu Lobo. The work is supported by the concepts of vertical and horizontal complexity, by Fraya Frehse; time / space, by David Harvey; daily life, by J. P. Neto and Maria do Carmo Carvalho; urban sprawl, by Lucio Kowarick; and the vision of the state as a financial power that is at the mercy of the will of the capital, by Vera da Silva Telles. The discussion also dialogues with the verbs of actions of Pedagogy of the Transtheater: Teatralizar, Sustainabilizar, Urbanizar, Desalienar, Experimentar and Transitar. This pedagogy is based on a new artistic poetics, which values the good relations between the subjects and the sustainability of the human race. It aims to highlight the resilience of the theater in a transdisciplinary way, to assist the man in his individual and collective relationship with the time / space he occupies. The methodology of the research brings together comparative qualitative analysis between the dramatic texts, Pedagogia do transteatro and the authors mentioned. It is hoped that this analysis contributes to the understanding of the relation of time / space in Transteatro as praxis of change.
