Antígona, o fruto de uma cepa deformada Hélia Correia, Perdição

Autores/as

  • Maria de Fátima Silva Universidade de Coimbra Autor/a

DOI:

https://doi.org/10.17851/1983-3636.2..41-55

Palabras clave:

feminism, myth, theatre

Resumen

This Portuguese Antigone, inspired by the Sophoclean play, puts the accent on different topics. Following Antigone’s behaviour from her childhood, it creates a group of female characters around the heroine and aims at her development as someone growing up from a disturbed family. Her irreverency is not put in service of any ideal, it is the consequence of her desadaptation.

Referencias

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PEARSON, A. C. Sophoclis fabulae. Oxford: University Press, 1961.

PULQUÉRIO, M. Problemática da tragédia sofocliana. Coimbra: INIC, 1968.

ROSIVACH, V. R. On Creon, Antigone and not burying the dead. RhM. (Frankfurt), v. 126, p. 193-211, 1983.

SÓFOCLES. Antígona. Versão portuguesa de Maria Helena da Rocha Pereira. Coimbra: INIC, 1984.

SEGAL, C. P. Sophocles’ praise of man and conflicts of the “Antigone”. In: Woodard, Th. (org.). Sophocles, a collection of critial essays. Englewood Cliffs: (Prentice-Hall), 1966, p. 62-85.

WILTSHIRE, S. F. Antigone’s desobedience. Arethusa. (Baltimore), v. 9, p. 29-36, 1976.

Publicado

2008-12-31

Número

Sección

Artigos

Cómo citar

Antígona, o fruto de uma cepa deformada Hélia Correia, Perdição. (2008). Nuntius Antiquus, 2, 41-55. https://doi.org/10.17851/1983-3636.2..41-55