Il laboratorio mobile MOLAB, per indagini non invasive in situ nell’arte moderna e contemporanea

Authors

  • Antonio Sgamellotti
  • Brunetto Giovanni
  • Constanza Miliani

DOI:

https://doi.org/10.35699/2238-2046..15482

Keywords:

conservation science, cultural heritage, research

Abstract

“Cultural Heritage” research group of the Department of Chemistry at the University of Perugia did the researches described in this article. These researches are part of the activities of SMAArt (Scientific Methodologies applied to Archaeology and Art-website: www.smaart.it), a multidisciplinary center of the University of Perugia, established in 2001 April by the Ministry of Universities and Scientific and Technological Research (MURST). The Centre works in close synergy with the Institute of Molecular Science and technology (ISTM) of the CNR and with the research units of Perugia of the Interuniver-sity Consortium for science and technology of materials (INSTM), both based at the Department of chemistry.

Author Biographies

  • Antonio Sgamellotti
    Lincei Academician and Professor of Inorganic Chemistry
    at the University of Perugia. Research interests on
    advanced computational chemistry and on spectroscopic
    investigations of artwork materials.
  • Brunetto Giovanni
    Professor of General Chemistry at the University of Perugia.
    Research interests on chemical reaction dynamics and
    spectroscopy applied to cultural heritage.
  • Constanza Miliani
    Researcher at the CNR-ISTM (Istituto di Scienze e Tecnologie
    Molecolari) in Perugia. Research interests on structural,
    electronic and vibrational properties of materials for
    cultural heritage.

References

MILIANI, C.; ROSI, F.; BRUNETTI, B.G.; SGAMELLOTTI, A. In situ non invasive study of artworks: the MOLAB multitechnique approach. In: Acc. Chem. Res. 43, 728-737 (2010). Washington: American Chemical Society, 2010. MILIANI C.; KAHRIM K.; BRUNETTI B.G.; Sgamellotti ,A.; ALDROVANDI,A.; VAN BOMMEL M.R.; K. VAN DEN BERG, JANSSEN, J. H. MOLAB, a mobile facility suitable for non-invasive in-situ investigations of early and contemporary paintings: the case-study of Victory Boogie Woogie (1942-1944) by Piet Mondrian. In: Proceedings of the 15th Triennial Conference of ICOM-CC, New Dehli, Vol. II 244 (2008). ROSI,F.; MILIANI,C.; CLEMENTI, C.; KHARIM,K.; PRESCIUTTI,F.; VAGNINI, M.; MANUALI, V.; DAVERI, A.; CARTECHINI,L.; BRUNETTI, B.G.; SGAMELLOTTI, A. An integrated spectroscopic approach for the non invasive study of modern art materials and techniques. In: Applied Physics A, 100, 613 (2010).

Published

2014-11-28

Issue

Section

Articles - Thematic section

How to Cite

Il laboratorio mobile MOLAB, per indagini non invasive in situ nell’arte moderna e contemporanea. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 102–111, 2014. DOI: 10.35699/2238-2046.15482. Disponível em: https://periodicos-hml.cecom.ufmg.br/index.php/revistapos/article/view/15482. Acesso em: 23 sep. 2025.

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