Arte contemporânea
correntes mundiais em transição para além da globalização
DOI:
https://doi.org/10.35699/2238-2046..15710Keywords:
contemporary art, globalization, artAbstract
In this article, the author questions the use of terms such as “global art” and “world art”, and purposes to think about a condition of “contemporaneity”, that involves three big currents emerged after 1989: one derived from Euroamerican modern, one based in the Post-colonial criticism, and one independent, concerned with the tentative explorations of temporality, place, affiliation and affect, the uncertain conditions of living on a fragile planet.
References
BELTING, Hans; BUDDENSIEG, Andrea. Introduction. In: _____. The Global Contemporary, exhibition guide. ZKM Karlsruhe, 2011.
JAMESON, Fredric. The Seeds of Time. New York: Columbia University Press, 2004.
HUGHES, Robert. Nothing If Not Critical: Selected Essays on Art and Artists. London: Harvill, 1990.
ROSE, Gideon. Making Modernity Work: The Reconciliation of Capitalism and Democracy. In: ROSE, Gideon; TEPPERMAN, Jonathan (eds.). The Clash of Ideas. New York: Foreign Affairs, 2012.
SPIVAK, Gayatri Chakravorty. Death of a Discipline. New York: Columbia University Press, 2003.
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