Fotografia e imagem
DOI:
https://doi.org/10.35699/2238-2046..15660Keywords:
Photography, Index, Critical imageAbstract
This paper proceed to an analysis of the thought of critical image, of Didi-Huberman, starting with the concept of similarity image of Plínio, the old man, to then study the question raised by Roland Barthes about the indiciality of Photography. In contrast, it is discussed the auratic question of Photography, in Walter Benjamin, together with the definition of the aura and in which moment the reproducibility breaks with the cult value. Finally, this paper finishes with the argument of Didi-Huberman about the dialectical image whose aura image, photographic or not, is not attributed to the cult value.
References
BARTHES, Roland. A câmara clara: nota sobre a fotografia. Rio de Janeiro: Editora Nova Fronteira,1984. BENJAMIN, Walter. Mágia e Técnica, Arte e Política. São Paulo: Editora Brasil-iense, 1996. BENJAMIN, Walter. Sobre o Haxixe e Outras Drogas. Lisboa: Assírio & Alvin, 2010. DIDI-HUBERMAN, Georges. Ante el Tiempo. Buenos Aries: Editora Adriana Hidalgo, 2011. DIDI-HUBERMAN, Georges. O que vemos, o que nos olha. São Paulo:. Editora 34, 2010. DUBOIS, Philippe. O ato fotográfico e outros ensaios. Campinas: Editora Papirus, 2009. ROUILLÉ, André. A fotografia: entre documento e arte contemporânea. São Paulo: Editora Senac São Paulo, 2009.
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