Masacre de Puerto Montt: Apuntes en torno a la reconstrucción histórica del arte no-objetual
DOI:
https://doi.org/10.35699/2238-2046..15479Keywords:
Artistic documentation, Latin American Art, conceptualist practices, historical reconstructionAbstract
In recent years, art museums have acknowledged the need of acquiring, cataloguing, and exhibiting a variety of documents related to the so-called Latin American conceptualist practices. An important characteristic of these alternative practices is their ephemeral, immaterial, performative, conceptual or non-objectual existence. Reconstructing these documental objects and reenacting them within the museum imply a series of curatorial and cataloguing dilemmas, because of their fluctuant actu-alization as artworks or artistic documentation. This brief text analyzes the reconstruction of Masacre de Puerto Montt (1969) by Luis Camnitzer, and elaborates on a series of problems derived from the reinstallation of historical documentation.
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Copyright (c) 2014 Joaquín Barriendos
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